Art
Continuing to explore Hilbert with Helipads and Ladders

Continuing to explore Hilbert with Helipads and Ladders

Late last year I decided to revisit my old Hilbert with Helipads and Ladders prototype. I was easily able to get it up and running and generating decent resolution output. I will be periodically posting the new works to my blog in the category Helipads with Ladders. I have created a flickr set so you...
401_06, Meret Oppenheim and others to exhibit at Mercedes Benz Financial in Ft Worth

401_06, Meret Oppenheim and others to exhibit at Mercedes Benz Financial in Ft Worth

401_06, Meret Oppenheim and several other print works will be heading to Ft. Worth this summer for an exhibition at the Mercedes Benz Financial campus. My work will be part of a group exhibition with other members of SMU and TCU faculty, students and alumni. The Exhibition is up online as well here. “401_06” by Don Relyea at...
Flowers with Tendrils in Computational Aesthetics 2011 in Vancouver!

Flowers with Tendrils in Computational Aesthetics 2011 in Vancouver!

Flowers with Tendrils and  401_06 from my space filling curve art project will be exhibited in Vancouver  August 5th – 7th as part of the 2011 Joint Symposia on Computational Aesthetics, Sketch-Based Interfaces and Modeling, Non-Photorealistic Animation and Rendering. CAE 2011 is a collocated conference with Siggraph 2011 also in Vancouver. Flowers with Tendrils Final...
Bombshell at CAA: NYC 2011

Bombshell at CAA: NYC 2011

Bombshell accepted in the New Media Caucus CAA video showcase at CAA: NYC 2011. Music: “If we live our lives the right way” by Don Relyea, “If we live our lives the right way”(Bombshell Mix) ( 192khz MP3) Right Click to Download MP3 Bombshell from Don Relyea on Vimeo.
Political Portraits, Agendas Under Fire

Political Portraits, Agendas Under Fire

Obama Agenda Under Fire January 2010 Agendas Under Fire I have modified my particle drawing program to do a bunch of new particle types as well as respond to mouse or touch screen input for drawing. This allows me to bring the “hand of the artist” back into my computational works. This series was done in...