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About
Don Relyea's Blog

I like to write about interesting art projects, so give me a heads up if you have new project and I'll write about it.


Don Relyea
email:
don(at)donrelyea.com

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Blogs:
Chris Ashley
Tom Moody
BLDG blog
Walker Art Center
turbulence.org
collisiondetection.net
She Dreams in Digital
kevan.org
2blowhards.com
thinking about art
artblog.net
the generator blog
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patentlysilly.com
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Paperback Writer
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asquare.org
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amovablefeast
accuracy and aesthetics
phawker.com

Bombshell



Agendas Under Fire



110th Assembly


Meret Oppenheim portrait


Image Reconstruction


Ready Made Glitch


Slit Scan 3d Images


Systemic Sky


Slit Scan Photography



Monochrome Generator


Space Filling Curve Art



Hair Particle Drawing

Arts and New Media
Sect of Homokaasu
Roman Verostko
Jared Tarbell
Marius Watz
Juergen Schwietering
MIT Media Lab
eyebeam.org
ARS Electronica
mocoloco.com
rhizome.org
runme.org
core77.com
IAAA
furtherfield.org
Cory Arcangel
Philip Galanter
Roy Stanfield
Adrian Ward
ambienttv.ne
Alex Dragulescu
toxi
generator x
database of virtual art
Blast Theory
Institute for Applied Autonomy
0100101110101101.org
Bathsheba Grossman
Ariel Malka
BLF
Art Crimes
Buff Monster
Hactivist
rtmark
Faile
Mute
Crumb
the Yes Men
Marcel
X257.com
moma
amoda.org
artforum
metropolismag.com
neural.it
EFF
{G2}
Kate Armstrong
no-org.net
mnartists.org
Casey Reas
Vlad_Nanca
digitalsouls
Transmediale
Media Art Net
treasurecrumbs
Art Interactive
Electronic Arts Intermix
artsjournal
MTAA
Suzanne G
onreact
Wooster Collective
computergraphica.com
hardisco.com
inhabitat.com
c505
recyclart
ultra eczema
Kris Davidson
Robert Spahr
drainmag.com
Thor Johnson

Iron Jesus

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BUYPASS: an exhibition at Salvation Army Stores within all 5 boroughs NYC

William Brovelli is orchestrating a conceptual art exhibition across the 5 bouroughs during the month of January 2010.

BUYPASS 

The idea is to encourage the spectator to purchase an item that will become the art object (À la readymade) This event is dedicated to the life and work of Ann T. Kenyon 1932-1994.

This (multiple space) solo exhibition is to take place within a 30 day period (Jan.1, 2010 –Jan.30, 2010) Location: all *Salvation Army locations within the five boroughs of NYC. 

The purchased (personalized) item as well as the exhibition card and documentation of the event (the receipt) becomes the art object. The artwork will not be recognized as such without all three elements in place.   Through the act of selection and purchase, the buyer becomes the main player via aesthetic control in the realization of the art object. It must be understood that this project is less about the Readymade per se as it is about using the readymade as a vehicle that will enable greater control on the part of the spectator in terms of deciding what or even if the art object is going to be.

There will be no artist reception, signatures or any other interaction between artist and spectator(s) during the exhibition.  Anytime after the 30 day exhibition period, participants may contact the artist for a free exhibition card that will validate the object.  (Postage paid by artist.)  www.williambrovelli.com   

*Note: The artist only suggests purchasing the object from the Salvation Army store. Any object not purchased from a Salvation Army store and accompanied by a receipt that falls within the exhibition date, will be considered void in terms of  its relation to this project and exhibition. The Salvation Army is not affiliated with the artist or this project.

From William Brovelli and ArtSlant

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A. Bill Miller: Samples from the Gridworks Collection Project @ Some Walls

A. Bill Miller: Samples from the Gridworks Collection Project Archives
November 15, 2009 – January 10, 2010

A. Bill Miller is currently an Associate Lecturer at the University of Wisconsin, Milwaukee, and an Instructor at the Milwaukee Institute of Art and Design. He lives and works in East Troy, Wisconsin. He is noted for his Gridworks Project, which comprises abstract ASCII drawings, ink drawings, animated GIFs, video, and performances which are frequently shown in the U.S. and internationally.

Some Walls is pleased to exhibit twelve of Miller’s inkjet prints, with additional prints available for viewing. This is Miller's first solo exhibition in California. Additional ASCII drawings can be seen on Miller’s blog, and more images, animations, and video are at his website.

A. Bill Miller’s ASCII drawings are made at the keyboard with text– characters and letters.  He draws/types grid-based and grid-defying images that are surprisingly varied and dynamic,  pictorial and spatial, rhythmic and dynamic. As writing has overwhelmingly moved from the pen to the keyboard and monitor, it also makes sense that drawing might make a similar move from the pencil. By making prints, Miller transports his images from the flickering, pixilated digital realm to our analog, tactile world of paper and ink. Seeing his drawings outside the monitor is an entirely different experience from online viewing; where the digital image scrolls by intangibly, the art work as object allows the viewer to see and contemplate a crisp, satisfyingly still, human-scaled image. In these prints one can fully assess Miller’s range of ideas, visual invention, and unique skill.

Some Walls is open by appointment only. To view the exhibition online please visit somewalls.com.

from Chris Ashley

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